“Of the Generation” in Heroic Fantasy Anthology from Flame Tree Publishing
Flame Tree Publishing has posted the Tables of Contents for its new Gothic Fantasy anthologies: Time Travel and Heroic Fantasy. It’s pretty unreal to be on the same list as the author of Sir Gawain and the Green Knight. The full ToC for Heroic Fantasy is: A Matter of Interpretation by M. Elizabeth Ticknor Burned Away by Kate O’Connor Dragon and Wolf by Zach Chapman Erzabet and the Gladiators by Susan Murrie Macdonald Five Fruits I Ate in Sandar Land by Michael Haynes Laya by Voss...
Read MoreLiving with Imposter Syndrome
This post originally went live on Fictionvale in 2014. Unfortunately, Fictionvale has since closed and the article is no longer available online. I’m taking the opportunity to repost it while I’m moving to my new apartment and have less available to blog. If you’re currently battling a bout of imposter syndrome, I hope it proves timely. This is a piece to read not when you’re fleeing constructive criticism, but when no feedback, not even positive feedback, feels...
Read More“John Kosichev” in Storyteller magazine
As I said in my last post, it turns out that when you send stories regularly in answer to calls for submissions, you sometimes get stories accepted! I’m very excited to break my long publishing silence with a release in a new magazine, Storyteller, with a story that’s been a particular favorite of mine (even when it took a few drafts), “John Kosichev.” This issue of Storyteller includes some gripping and rather timely stories tackling issues of virtual reality,...
Read More2017 already!? (On second thought, thank goodness)
It is with considerable chagrin that I realize I haven’t published a new blog post since March of 2016 (though it is with some pleasure that I work the word “chagrin” into a sentence). 2016 was not the most productive of years, and that’s the kindest thing that can be said for it. My feelings toward it are not kindly and it was not at all kind. I lost my father unexpectedly, under difficult circumstances, at the end of September, and in November I lost another good...
Read More12 Words to (Almost Always) Cut
Strong stories are not necessarily short. They don’t need to be Hemingway-esque masterpieces of bare prose (even Hemingway didn’t always write that way). And it would be hypocritical to argue for only short sentences or short paragraphs when I have to make a conscious effort to write either. But in a strong story, every word counts. And no word is misplaced or ill-chosen. The vocabulary is vivid and usually varied, plus precise (though alliteration is optional). Words do not...
Read MoreThe Big List of Writing Writing Resources, Part One
You can write your story with nothing but a reasonably flat surface and something that leaves a mark, but it’s a lot easier when you have the right tools. Happily, there are a lot of useful resources out there. Here are some of my favorites. I encountered a few while writing The Starter Guide for Professional Writers (about which I have exciting news: revisions and expansions are underway for a second edition! The past two years have seen some interesting changes in the publishing...
Read More“The Grace of Turning Back” at Beneath Ceaseless Skies
“The Grace of Turning Back,” the final story of the Curse-Strewn World sequence, appears in Beneath Ceaseless Skies Issue #179, which can be read on the BCS website or in the Kindle store. The Tynesi merchants, who traded everything from the silver rice of Timru and perfume leaves from Simrandu to chips of ivory off the Keld’s temples, had a term for a particular sort of improvidence: to throw money, time, or strength into seeing to completion a bargain they had...
Read More“Arnheim’s World” in Analog Magazine
In the May 2015 issue of Analog Science Fiction and Fact, alongside fiction from Rajnar Vajra, But Sparhawk, Robert R. Chase, Aubry Kae Anderson, and J.L. Forrest, my story “Arnheim’s World” explores the economics, ethics, and (anti)sociability of terraforming. Environment, economics, ethics, all stewing in a high-tension dilemma. Exactly the kind of thing you’d expect of me, I hope. I worked on this piece on and off from 2011 onward, intrigued by the idea of a...
Read MoreCommon edits to improve your writing
A lot of editing and rewriting involves relatively minor mechanical and technical changes. A lot. Not that I’m complaining; making these simple changes is a routine part of my work, and if nothing else it keeps me steadily employed. Many of them are changes I make to my own writing on a second draft! However, I thought it’d be helpful to share my “greatest hits”: the advice I give most often, and make use of most often when revising my own work. If you can apply this...
Read More“For Lost Time” up at Beneath Ceaseless Skies
Lose no time in going to check out the latest installment in Across the Curse-Strewn World, a short story sequence following the wizard Aniver and his friend Semira’s quest to rescue his home city, which has somehow become lost in time. Their discoveries in the terrifying library of Arisbat have pointed Aniver and Semira in the right direction, but what a direction it is–the source of the blight that struck Nurathaipolis appears to have come from the Kingdom of the Dead....
Read MoreAbout Therese
Therese Arkenberg's first short story was accepted for publication on January 2, 2008, and her second acceptance came a few hours later. Since then they haven't always been in such a rush, yet her work appears in places like Beneath Ceaseless Skies, Analog, Daily Science Fiction, and the anthology Sword & Sorceress XXIV. Aqua Vitae, her science fiction novella, was released by WolfSinger Publications in December 2011.
She works as a freelance editor and writer in Wisconsin, where she returned after a brief but unforgettable time in Washington, D.C. When she isn't reading, writing, or editing (it's true!) she serves on the board of the Plowshare Center of Waukesha, which works for social, economic, and environmental justice.