It seems disingenuous to continue blogging as if life is going well when something horrible has happened. Yet sharing too many details in a public place seems disrepectful of the privacy of those involved, not to mention it forces casual readers to become witnesses to a situation they may prefer not to be involved in.
This is a balance I always walk when a certain sort of family crisis recurs.
It helps, perhaps, that I am not actually capable of writing about it in a fluent, pleasant, or even readable way. This is not the sort of experience I can use as fodder for future stories. It would be disrespectful, and it would be beyond me. One of the friends I emailed last night told me I was being quite poetic with my words, but that was the poeticism of someone trying to turn a disaster into an aesthetic event, and still being in enough shock to do it.
In brief: something has happened. I was not directly involved. No one has died or been permanently injured. The shock of this will continue for some time, and when it wears off I cannot predict what my emotional state will be. I hope to keep this from interfering with my work–and in fact professional work provides some structure, and I feel driven to dive back into my fiction writing, to both escape and process this.
With that in mind, I’ll link to a previous post in this blog, on art and tragedy. And it is very fitting that I choose to represent my hypothetical heroine dancing memorials, not writing them–for a writer, especially one who cannot dance, this must be the ultimate confession of impotence.
Therese Arkenberg's first short story was accepted for publication on January 2, 2008, and her second acceptance came a few hours later. Since then they haven't always been in such a rush, yet her work appears in places like Beneath Ceaseless Skies, Analog, Daily Science Fiction, and the anthology Sword & Sorceress XXIV. Aqua Vitae, her science fiction novella, was released by WolfSinger Publications in December 2011.
She works as a freelance editor and writer in Wisconsin, where she returned after a brief but unforgettable time in Washington, D.C. When she isn't reading, writing, or editing (it's true!) she serves on the board of the Plowshare Center of Waukesha, which works for social, economic, and environmental justice.